Audio Normalizer Online

or drop files here

Bring a recording’s highest sample peak to a chosen level. Set a target in dBFS and apply a single gain change while keeping relative dynamics intact.

Choose a target peak from −30 to 0 dBFS
Apply one gain factor across the recording
Preview and download the normalized WAV

Set a peak target

Choose the target before processing. A setting such as −1 dBFS leaves sample-peak headroom below digital full scale.

Keep quiet and loud passages proportional

The tool measures the highest absolute sample value and scales the track uniformly. It does not selectively compress loud sections.

Separate peak level from perceived loudness

Two recordings with the same peak can sound very different in loudness. This is not integrated-LUFS normalization or a streaming-platform loudness preset.

Inspect noisy or silent sources

Raising a quiet track also raises its noise. A completely silent input remains silent because there is no meaningful peak to amplify.

Technical references: Web Audio API specification

Audio Normalizer FAQs

Will all songs sound equally loud after normalization?

Not necessarily. Peak matching does not account for the duration or density of loud passages.

Does it measure true peaks between samples?

No. The target is based on sample peaks, not oversampled true-peak measurement.

Will peak normalization make two songs equally loud?

Not necessarily. Two songs can share the same highest peak while having very different average levels and dynamics. This tool sets peak level, not integrated LUFS loudness. Use a loudness-metered workflow when a platform or broadcast specification requires a LUFS target.

How does Audio Normalizer update its preview?

Audio Normalizer schedules a background render after a setting changes. The completed preview or analysis replaces the previous result automatically. Processing time depends on recording length and device performance; the status message shows when the new result is ready.

Audio Normalizer Online